The author focuses on shadows as a project, contrasting them with the sun. Light and shadows are one of the key life conditions that humans need for survival. Their role also involves identifying the surrounding environment. Through them, one can better imagine the distance, depth, and texture of objects. Thanks to shadows, we create stories that allow us to experience different sensations. These can be feelings of sentimentality, awoken by the shadows under a fruit tree from our childhood, or a sense of tiredness when returning home from work on a hot summer day, walking on the shaded side of the street. Shadows also build more abstract narratives where our focus is not only on conveying a message but also on transforming forms without actual interference in their materiality. The author sought inspiration for the project in the Eastern tradition of shadow puppet theatre. Tension fabric was used as the basis for reinterpretation and gradation of patterns, inspired by the cultural heritage of the former textile company in Kranj, Tekstilindus. Hanging elements, which take on the role of puppets, are thematically linked to the aforementioned content from textile pattern catalogues. Through manual weaving of textile materials with metal wires and solidification with epoxy resin, the pattern expands into a three-dimensional space, creating shadowy silhouettes that can be seen through the curtain.
Photo: Maša Pirc / BIEN
Kaja Urankar first presented her work at the BIEN in 2020 with the Andon lamp. She leans towards the connection between interior and textile design, which are the main areas of her interest. The central question in her design, reflected in her works as well, is the influence of light in the interior on humans and their actions and design.
Support: University of Ljubljana Fund for the arts
