Pim Palsgraaf (1979) is inspired by decay and irregularities in the city. The discord between nature and urbanity is a relevant topic and offers different perspectives in meta-modernistic thinking. Palsgraaf’s work is a result of an ever-deepening investigation into the erosion of the inner city. Empty spaces – old corridors and ceilings that are about to collapse and where nature is stepping in to take over – nourish his fascination for this process. Palsgraaf is regularly roaming and working with other artists in the ruins of industrial giants such as those found in former East Germany, for example. He initiated the If Paradise is Half as Nice (IPIHAN) project in 2012, an art project focused on making art in these abandoned buildings. At the heart of Palsgraaf’s artistic philosophy is an exploration of how individuals contribute to the formation of the world around them. By analyzing these fundamental aspects, he uncovers the dualisms prevalent in contemporary society. Themes such as nihilism and consumerism, irony and naive informality coexist and intermingle within his works, creating a rich tapestry of contrasting elements.
Artwork: Ashes 14-1